My work lies in the intersections of sound art, academic research, teaching, and sound design, engaging critically with the creative and theoretical dimensions of auditory culture.
As a sound artist, I investigate the spatial, material, and phenomenological aspects of sound, crafting experiences that challenge conventional modes of listening. My research explores the epistemological and aesthetic dimensions of sonic practices, contributing to contemporary discourse on auditory perception, acoustic ecology, and experimental composition.
In my teaching, I foster an interdisciplinary approach that bridges theory and practice, equipping students with the conceptual and technical tools to engage with sound in innovative ways, tools that can be transferred to a variety of other disciplines. My sound design practice extends across diverse media, integrating artistic expression with technological expertise.