Selected works

The list of selected works is being updated. For 2024/25 work inquries please contact me directly.

  • Board Member – ELIA (European League of Institutes of the Arts)
    I serve as a Board Member of ELIA – European League of Institutes of the Arts, one of the most significant international networks in higher arts education and research. ELIA connects nearly 300 institutions across more than 50 countries and represents over 350,000 students in disciplines including fine arts, design, media, and performance. The network’s… Read more: Board Member – ELIA (European League of Institutes of the Arts)
  • Echoes of a hacked language
    Echoes of Hacked Language è un tributo all’opera di Alvin Lucier “I am sitting in a room”. Gli artisti propongono un’installazione interattiva che mette in connessione la parola di chi visita lo spazio e lo spazio stesso. Questa dinamica si realizza tramite un approccio object-oriented alla relazione tra linguaggio delle persone e acustica dell’architettura circostante.… Read more: Echoes of a hacked language
  • Per chi suona la campana? (IO01 – Umanesimo Tecnologico, n.4 – 2023)
    I took part in IO01 – Umanesimo Tecnologico as a contributing author with the essay Per chi suona la campana?, which explores contemporary artistic and performative practices through the lens of Object-Oriented Ontology and post-anthropocentric theory. The essay investigates how performance, sound art, and media practices can be reconsidered beyond a human-centered perspective, challenging traditional… Read more: Per chi suona la campana? (IO01 – Umanesimo Tecnologico, n.4 – 2023)
  • Horto Blues x Orto Tintorio – NABA
    Orto Tintorio is a multidisciplinary project developed at NABA that explores the relationship between nature, color, sound, and sensory perception. The initiative focuses on dye plants and natural pigments, combining botanical research with artistic and design practices to investigate sustainable processes and material cultures. As part of this project, I contributed to the sonic dimension… Read more: Horto Blues x Orto Tintorio – NABA
  • NABA x Bookcity Milano 2022 – “Il rettangolo elettrico”
    Contributors: Vincenzo Cuccia, Simone Sarasso, Vincenzo Filosa, Sabrina Saporiti, Valentina Tanni, Mauro Martino As part of BookCity Milano 2022, this talk explored the intersection of artistic practice, new media, and artificial intelligence. Hosted within NABA’s Media Design and New Technologies department, the discussion focused on Il Rettangolo Elettrico, a project that transforms the traditional book… Read more: NABA x Bookcity Milano 2022 – “Il rettangolo elettrico”
  • Il bosco che non c’è
    Il Bosco che non c’è, is an immersive performative installation, a path of research and co-creation that, through the poetic language of performance and dance, aims to address the theme of perception in  the natural world and raise awareness of the relationship we have with the Environment. The performance invites participants to navigate in an… Read more: Il bosco che non c’è
  • Babele
    Babele aims to celebrate the complex identity of Italy through its dialects. The Italian language derives from Latin; after the fall of the Roman Empire, Latin became obsolete and the spoken language took many different regional variations, thus forming neo-Latin idioms, among which the Italian language.The standard Italian originates from the Tuscan poetry of the… Read more: Babele
  • Fogu Modhu
    Fogu Modhu (soft fire in Sardinian language) is a performance for sound and dance improvisation that I have prepared during an artist’s residency in the 2021 edition of Festival Santarte in San Sperate (Cagliari, Sardinia). The performance took place in the Sound Garden of Pinuccio Sciola, and featured the sardinian dancer Giulia Cannas. The sound… Read more: Fogu Modhu
  • Electric rectangle
    The electric Rectangle is many things: a story about a professor, his colleagues and students as they gravitate around an artificial intelligence-based installation and performance.From brainstorming to hardware/software testing and ultimately the premiere, the students and the professor take notes, fantasise, learn and share their stories.The tale’s original polyphony is enriched with observations on theory,… Read more: Electric rectangle
  • SMC2021 | 18th Sound and Music Computing Conference
    I participated in SMC2021 – the 18th Sound and Music Computing Conference, presenting a panel discussion on contemporary developments in sound, music, and computational creativity. The conference, a leading international forum for research at the intersection of music, technology, and human-computer interaction, brings together researchers, composers, sound designers, and technologists to explore new approaches to… Read more: SMC2021 | 18th Sound and Music Computing Conference
  • Music for The Electric Rectangle (By Simone Sarasso)
    I composed and curated the original music and sound design for The Electric Rectangle, a novel by Simone Sarasso published by Quodlibet in 2021 as part of the NABA Insights series. The book tells a coming‑of‑age story centered on a professor, his colleagues, and students as they orbit around an artificial‑intelligence‑based installation and happening, from… Read more: Music for The Electric Rectangle (By Simone Sarasso)
  • We had nine oscillators
    An international seminar for the Hong Kong Design Institute on the famous Studio di Fonologia Musicale RAI, in which I have talked about the diffusion of musical technology in radio station after WWII and also performed a little piece with a software version of 9 oscillators, just what they had in the studio at the… Read more: We had nine oscillators
  • The sound of cinecittà
    An international seminar of the series held for Hong Kong Desogn Institute on how the italian cinema dealt with its sound and the design of the sound effects in its most famous films. I have talked about Fellini, Morricone, Sorrentino and many others.
  • Reality
    Reality is the soundtrack for NABA Fashion Show held in Altaroma 2021. It was composed taking inspiration from the outfits designed by the students exhibiting their work, and in close relationship with Paolo Bazzani and Raphael Monzino.
  • Museo dell’altrove
    Italy – Museum of Elsewhere is a performance art and installation project conceived by Italian artists Francesca Foscarini and Cosimo Lopalco, that focuses on the themes of the contemporary museum and the relationship between architectural space and the performative body. The artistic goal is to scenically represent the contemporary museum inrelation to the body. The… Read more: Museo dell’altrove
  • Un Suono in Estinzione – Art, Science & Climate Change
    I have been actively involved in Un Suono in Estinzione (USIE), an interdisciplinary art–science project that uses acoustic monitoring of Alpine glaciers to communicate the effects of climate change through immersive artistic experiences. The project, conceived by sound artist and researcher Sergio Maggioni, combines scientific research with sound installations, performances, and public talks to create… Read more: Un Suono in Estinzione – Art, Science & Climate Change
  • re-FLOW
    re-FLOW is a transmedia long-durational performance conceived by Greek choreographer Chrysanthi Badeka, in which I curated and developed the Sound Design.The project draws inspiration from digital flow charts, such as digital maps showing the flow of asylum seekers to European countries over time. Current technological advances have led to the creation of detailed data visualisation… Read more: re-FLOW
  • Lager XI-B
    “Lager XI-B” is a theatre play by Giacomo Andrico, featuring Luca Rubagotti, which premiered in Castello di Padernello.I developed the sound design and music in a very unusual way for a play like this, treating it as a set design element, which was always “on stage” and audible.In producing the music I have mostly used… Read more: Lager XI-B