I took part in IO01 – Umanesimo Tecnologico as a contributing author with the essay Per chi suona la campana?, which explores contemporary artistic and performative practices through the lens of Object-Oriented Ontology and post-anthropocentric theory. The essay investigates how performance, sound art, and media practices can be reconsidered beyond a human-centered perspective, challenging traditional […]
Fogu Modhu
Fogu Modhu (soft fire in Sardinian language) is a performance for sound and dance improvisation that I have prepared during an artist’s residency in the 2021 edition of Festival Santarte in San Sperate (Cagliari, Sardinia). The performance took place in the Sound Garden of Pinuccio Sciola, and featured the sardinian dancer Giulia Cannas. The sound […]
Un Suono in Estinzione – Art, Science & Climate Change
I have been actively involved in Un Suono in Estinzione (USIE), an interdisciplinary art–science project that uses acoustic monitoring of Alpine glaciers to communicate the effects of climate change through immersive artistic experiences. The project, conceived by sound artist and researcher Sergio Maggioni, combines scientific research with sound installations, performances, and public talks to create […]
re-FLOW
re-FLOW is a transmedia long-durational performance conceived by Greek choreographer Chrysanthi Badeka, in which I curated and developed the Sound Design.The project draws inspiration from digital flow charts, such as digital maps showing the flow of asylum seekers to European countries over time. Current technological advances have led to the creation of detailed data visualisation […]
Lager XI-B
“Lager XI-B” is a theatre play by Giacomo Andrico, featuring Luca Rubagotti, which premiered in Castello di Padernello.I developed the sound design and music in a very unusual way for a play like this, treating it as a set design element, which was always “on stage” and audible.In producing the music I have mostly used […]